What with the obvious past success of Harry Potter and the current absurd popularity of this Twilight series, I have compiled a Phroth do-it-yourself guide to creating your very own hit teen-angst lit series for all of you aspiring “writers” and “money makers” out there.
STEP 1: Come up with a strong (but not too strong) female character
The protagonist of your story should be a girl who, despite her smooth, pale skin, long silken hair, extraordinarily purple, catlike eyes, and otherwise incredibly glamorous physical traits, cannot seem to fit in in school and is often teased and tormented by her peers. This is okay, however, because your character has chosen to remove herself from society as the result of something deeply tragic that happened in her past. She has an tough-girl attitude and an adeptness for sharp comebacks, which she delivers with a sensuous lick of her lips, causing every male in a ten mile radius to pant like a dog in heat. Unfortunately, as a result of her tragic past (see above) she has built up too many brick/steel/wood/iron walls around her heart to let any of these men get close to her. That is…until Daymyn enters her life (see STEP 3).
![]()
Who wouldn’t want to do a girl with eyes like these?
STEP 2: Give her an animal/mineral/vegetable sidekick
Because your lead character spends so much of her dialog on attitude fueled banter with interested (yet incredibly boring) males who want nothing less than to jump her amazingly structured bones, she needs an outlet through which she can express her more vulnerable feelings. You have a few options here, and you have to choose carefully because the animal/mineral/vegetable sidekick reflects deeply on your protagonist’s true personality.
- ANIMAL: If you decide to go with an animal sidekick, be wary of unrealistic and inconvenient species. Unless your protagonist is a mermaid this rules out pretty much anything with gills. Trying to swoon gracefully whilst holding a fishbowl rarely goes well. It’s very messy. Species that tend to work well are cats, birds, snakes, and mice.
- MINERAL: Don’t choose mineral. Just don’t. Girls with pet rocks never get laid, no matter how hot they are.
- VEGETABLE: Picking a vegetable sidekick is tricky because vegetables lack many of the useful defensive instincts that an animal sidekick would possess. Where a cat could come flying out of the brush, claws extended to protect his fainted mistress, a carrot would merely provide her attacker with marginally better eyesight, and that really would only work if the attacker were to consume A LOT of carrots. A clove of garlic, on the other hand, will at the very least ward off Vampires. Your protagonist will still have to be wary of attacks by werewolves, warlocks, axe-murderers, and douchebag football players.

STEP 3: Introduce a mysteriously alluring and potentially dangerous male character (aka the love interest)
The MAPD (Mysteriously Alluring and Potentially Dangerous) male character serves a very specific set of functions in your “novel.” First, he must be physically flawless so as to attract the attention not only of your “strong” female character, but also the attention of the all-important tween demographic. It has been scientifically proven that if 5 out of 6 tween girls swoon whenever the MAPD is mentioned, then 100% of them can be easily convinced to buy the rest of the trilogy without your having to come up with anything resembling an actual plot.
Now, ideally, when coming up with a new character, you have at your disposal an entire thesaurus of adjectives to choose from. In the case of your MAPD, however, you are restricted to the following rules:
- He must have an irrelevantly misspelled name (I’ve decided to go with Daymyn — pronounced: Damien)
- He must wear all black.
- Chest hair optional
For example:
“Daymyn was the strong silent type, with long black hair tied back in a pony tail. He wore clothes of midnight black and and stuck to the shadows like black on night. When he looked at her, it was like his eyes were piercing the very center of her soul in a way that was both paralyzing and arousing at the same time. He was more than handsome…he was beautiful.”
The second function your MAPD serves is to penetrate the set of brick/steel/wood/iron walls that your “strong” female character has constructed to protect her fragile heart. He does this mainly through his striking good looks (though your main character will insist it’s solely his mysterious personality), but if you feel as though your story needs more substance (in most cases, it won’t) you may choose to give him a singular “flaw”; being a werewolf, vampire, or other sorts of magical properties are just some of the more popular choices.
STEP 4: Conflict? What’s the point?
Any good writing teacher will tell you that you need conflict to motivate your characters to take action, move the plot forwards, and give your story depth. Throw all of that out the window. In order to write a successful novel in the genre of angsty teen-lit, you need not waste your time on pesky things like conflict and plot which are just so damn hard to write. Now I know you’re wondering how on Earth anything could ever happen in a story with no conflict, so I will tell you – there is a very simple solution (see STEP 5).
STEP 5: Introduce another MAPD male character
When coming up with your second MAPD there are several things you need to keep in mind. He must be strong, impossibly human, nonthreatening, and mysterious – so as to attract the attention of your main female character, who, after being exposed to your first MAPD, is no longer a “strong female character” but has taken on the role of the classic damsel in distress. One crucial element of this new character’s persona is that he must absolutely not be a threat to Damien. This would put too much of a strain on the fragile nerves of your purple-cat-eyed damsel, causing her to faint and swoon and would bring your novel swiftly to an end.
Now you can move your story forwards. Well, not really forwards, but your story will at least move. Sort of. By adding this second MAPD, you have now provided your damsel with the opportunity to whine for pages and pages, and chapters and chapters, and for the entire rest of the novel about how absolutely horrible her life is and how it’s just so hard to have two perfect, strong, handsome, mysteriously alluring men interested in her at the same time.
STEP 6: Shit, this is going nowhere…let’s leave it up to the tweens!
Introducing a second male character also plays well into attracting the attentions of the all-important aforementioned tween demographic. Rather than create conflict on the pages of your “novel,” the conflict will leap off the pages and invade the web spaces of tween girls everywhere. They will fight ruthlessly amongst themselves over which of these impossibly beautiful, strong men would be perfect for your leading lady. When no resolution is reached, the fight will become personal:
Which of these men would be like, perfect, for Tiff to date? OMG I bet Daymyn would totally be there to take you to Prom!
The debates will be heated. There will be t-shirts, facebook groups, bumper stickers, bookmarks, buttons, posters, and OMG these really cute, like, wristbandy things! Now that your readers feel like they’re actually part of your “story”, your work is done.
I’m so
joining all of these groups.
STEP 7: Quit while you’re ahead. Seriously. Stop writing.
Once the tweens break out the wristbands you’re set. Bring your story up to it’s most climactic moment (you know, that moment when your leading lady has fainted and her two suitors are about to fight each other for her hand in marriage) and then STOP WRITING. This cliffhanger ending will ensure you months if not years of popularity and will only increase the amount of money you will be offered to write the next book. HOWEVER, (and this is very important so pay attention!) you don’t need to write another word. Once you are offered a movie deal, accept it, make buckets of cash, and retire young. But most importantly…and I mean this in all seriousness: STOP WRITING.
PLEASE, FOR THE LOVE OF GOD, STOP WRITING.
Call it creative freedom, call it “artistic liberties”, call it whatever you want. Just please, STOP WRITING.
Thanks.
Let Mirth Prevail!
Rebecca,
Production Editor